More about "Theatre"

'Story Sosa' is a collection of stories from five different writers, all lacing to tell of different ideas of home they have grown up with.

The narrative doesn’t take itself too seriously for the most part, but when it should, it opens itself up and digs deep.

'Watatu' highlights youth radicalisation, religious extremism, xenophobia, economic disparity, corruption and politics at the Kenyan coast.

'Mama’s Mirror' brings a new taste, tackling the very heavy topic of losing a mother in the most unexpected way and time.

Just 'Hamlet' set in Kenya, sprinkled in with the reliable trope of twentieth century African pseudo-activism.

In 'Speak their Names', Silvia Cassini wields her mighty pen to present us a powerful tale set in the summer of 1587 in Triora.

The cast do their best with that they're offered, which just happens to be oftentimes, not good enough.

The play doesn’t quite fulfil its promise as it was marketed. It, however, takes a serious jab at how old, rich men pry on young girls.

This play is a step in the right direction to redefine Kenya's slapstick stage comedy by highlighting important issues like queerness.

A collection of vignettes detailing the lives, achievements and flaws of the great rulers of the Bible, in both the Old and the New Testament.

A conventional story told in an even more conventional way, a stage play with no illusion, no poetry, and no wonder.

'Irregardless' highlights the country's flaws, showing that it's upon citizens to step up and decide who the truthful custodian of Kenya is.

Although the play is an adapted work, the director and the actors flesh it out successfully, centering it on the middle-class Nairobian.