FILM & THEATRE

Arguably Kenya's most successful film, 'Supa Modo' should be our 'Parasite.' Our 'Touki Bouki.' It genuinely deserves it.

The cast do their best with that they're offered, which just happens to be oftentimes, not good enough.

'Nairobi Half Life' is our omega, our first nuclear explosion of cinematic expression, and a distinctly Kenyan addition to the crime genre.

Every second of the film feels woven with a care and tenderness that exalts it as a phenomenal piece of visual art.

The play doesn’t quite fulfil its promise as it was marketed. It, however, takes a serious jab at how old, rich men pry on young girls.

The constant overbearing and jamming down the entire film with many half-baked themes, gives it a very watered down feel.

This play is a step in the right direction to redefine Kenya's slapstick stage comedy by highlighting important issues like queerness.

A few quirky moments here and there, a few interesting shots, but ultimately 'Look Both Ways' is a very tame and harmless film.

'Nairobby', like a good magical act of tying oneself down and letting the unwrapping be the entertainment, is an interesting but daunting watch.

'Rising Son' struggles to coalesce into a cogent, persuasive wholeness, as if distracted by its many detours and ideas.